Jawan: Bollywood Mass Uplifted By A South Indian Touch


Jawan: Bollywood Mass Uplifted By A South Indian Touch

When Shah Rukh Khan officially unveiled his lineup of 2023 movie releases one after another, people began speculating about which film would resonate most with the audience. While many of us are hoping that "Dunki" will be the standout film in terms of both quality and mass appeal, "Jawan" has made a thunderous entrance into the mix, leaving no room for doubt. When it was announced that SRK would collaborate with Atlee, there was a sense of anticipation about how the celebrated South Indian action director would present Bollywood's beloved superstar on the big screen.

Your anticipation will be satisfied when you watch the film; it exceeds expectations.




"Jawan" revolves around a mysterious figure who takes matters into their own hands to address societal and political issues in the country through unconventional means. Their clash with a powerful businessman and a determined female police officer forms the core plot of the film.

Although the storyline might not seem extraordinary, it's Atlee's signature style that Bollywood fans have longed to see in our cinema, blending South Indian mass appeal with SRK's charisma.

South Indian directors have excelled in presenting their stars in larger-than-life roles that ignite excitement in theaters. They've honed this skill over the years, and now Bollywood gets a taste of it, especially with the frenzy surrounding SRK's return this year. Massive entrances like these resonate deeply with fans in theaters, especially when it involves stars who are revered like gods, as is the case with SRK in Bollywood.



For those familiar with Atlee's previous works, his tendencies are apparent, including incorporating social and political issues as motivators for the protagonist's journey. However, there's a hiccup in the integration of SRK's girl army backstories, which touch on themes like farmer suicides and inadequate healthcare in small towns. While these backstories offer a compelling reason for their involvement, their placement in the screenplay disrupts the flow and feels forced.


Regarding the supporting cast, Sanya Malhotra and Priyamani shine among SRK's girl gang, delivering their best performances when their backgrounds are explored. Sanya, especially, impresses in dramatic moments portraying the flaws in India's healthcare system. However, Priyamani's character remains largely unexplored, with only a brief montage hinting at her character's tragic past.



Deepika Padukone's brief but impactful cameo serves as a strong motivator for SRK's character, shown in a flashback.




Vijay Sethupathi, who, despite playing his role as required by the script, lacks the necessary menace for a formidable antagonist in a film of this scale. At times, his character veers into unintentional comic relief.


What's more disappointing is that these elements don't pay off well in the end. The revenge arc involving Vijay Sethupathi and SRK falls flat in the climax, leaving the audience wanting more but not in a positive way.




Nayanthara's no-nonsense cop character has some badass moments, establishing her as a formidable opponent for SRK. However, she becomes less relevant in the concluding moments of "Jawan" due to the primary reason drawing people to theaters.




Anirudh's music album, while typically known for delivering hits, doesn't have the same impact as in previous films like "Vikram" (2017).





Only "Chaleya" and "Zinda Banda" manage to strike a chord, while the other songs fail to evoke the same emotions as certain parts of the movie.



The enthusiastic response from fans flooding into theaters for Shah Rukh Khan's films in 2023 evokes a sense of celebration akin to a festival, rekindling the excitement of watching a movie on its first day first show (FDFS), all in anticipation of the return of their favorite superstar.

This excitement began with "Pathaan" earlier in the year and has only grown with "Jawan." In every frame of the film, Shah Rukh embodies the essence, cheekiness, and swagger of his character effortlessly.

Atlee spares no effort in presenting SRK in his most mass-appealing avatar yet, a feat unparalleled among Hindi actors. Every entrance of SRK's character exudes an aura of frenzy, prompting spontaneous cheers from the audience.




Another crowd-pleasing aspect, reminiscent of "Pathaan," is "Jawan's" self-referential nods to SRK's previous films and the recent controversies surrounding him and his family in recent years. His dialogues like "Jab mai villain banta hoon na, toh mere saamne koi bhi hero tikk nahi sakta" (When I become a villain, no hero can stand in front of me) take viewers back to his early days of portraying characters with shades of gray and the controversies involving his son.

These comeback films hold a deeply personal significance for fans eagerly awaiting King Khan's resurgence and his ability to silence the doubters. A monologue towards the climax seems like a direct appeal to the audience, urging them to question the government's intentions and its plans to improve the lives of Indian citizens.




The mass hysteria in theaters harks back to the days when Amitabh Bachchan ruled Bollywood in the 1970s as the 'Angry Young Man.' SRK embodies a figure who represents the concerns of all classes of society, encouraging people to stand up and demand their rights from those in power.

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